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Self Titled - Self Released 2006
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| Order Online From: In the USA: CD Baby.com - In Europe: Raucous Records - Also Available on iTunes |
| Review by ReadJunk.com |
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The Marauders are from the same little Western Pennsylvania town in which I live in…a little one-horse town called Ebensburg.
In fact, I’ve been able to walk to a couple of their shows, which is a pretty big deal for me considering that most of the time
I have to drive an hour and a half to catch a good show. I’ve been fortunate enough to catch the Marauders a handful of times
last year and most of the songs from this release were on those setlists. I had yet to pick up any of their CD’s so I was looking
forward to purchasing this disc after hearing the songs live. My wife picked this up for me for Christmas and I immediately popped
it in before I opened any other gifts. Let’s just say that I was instantly blown away.
The Marauders play good old-fashioned rockabilly roots music. They are surely influenced by the Stray Cats, but you could mistake
them musically for Bobby Darin or very early Johnny Cash at times. I’m going to do something different for this review by giving a
run down of each of the 11 tracks.
I Don’t Mind
And then it’s over. Now I’m not one to continually whore out any particular band, but it’s a rare occasion when a band that is this good
tears shit up in my backyard. I don’t have the luxury of living in or around a big city like New York City or Los Angeles where new up-and-coming
bands are a dime a dozen. To be quite honest, there isn’t that much around here musically at all unless you’re into mainstream rock bands that
cover crappy songs that you hear on modern rock radio or if you just can’t get enough KISS cover bands. To me, the Marauders are one of the best
bands…not just a local band…that I have ever heard and I’ve listened to a lot of shit over the years. And for a band from around here to put out
a self released CD that sounds this good (kudos to Mr. Smalls sound studio), it’s a pretty amazing accomplishment. Now I’m going to start the
disc over again and listen to it for the 400th time so far. Here’s to 4000 more listens. |
| Reviews from CDBaby.com |
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THIS CD ROCKS! Reviewer: Julie and Scully We were instantly hooked on The Marauders after seeing them open for Brian Setzer in Atlantic City in Dec. 2006. Every tune on the CD is fun, with clever lyrics ("I got a motorcycle jacket but I'm walkin' all the time") and that great, rockabilly guitar crunch. As a trio, these guys cover all their bases proficiently. A tight sounding rhythm section and fantastic, old-time-shout-in-a-barroom backing vocals ("what the hell happened was it something you did?") round out a true, original party band that doesn't need make-up and wardrobe following them around. Cheers, guys! We wish there were more bands like The Marauders this side of the Alleghenies.
Where's my PBR?
A must have |
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Midnight Rhythm - Rock n Roll Purgatory 2004
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| Review by Rockabilly Babe |
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Right out of the gate The Marauders newest CD Midnight Rhythm thumps alive with Last Call, a fast-paced thumper paying
homage to our favorite pasttime – drinking. “The clock is ticking, baby gotta drink my cash. I’m just a deadbeat loser
with a long gone taste for trash,” vocalist/guitarist Ben Dumm explains in an Elvis-vesent style. Visualize with me
the perfect backdrop for this music. Its dusk and you’re walking down the backstreet of Anytown, USA.
Tumbleweeds of trash crash into the curb and blow away into oblivion. You don’t see any sign of life for
blocks and if not for overturned trashcans and abandoned newspaper boxes, it would be just you, the buildings
and the street. The only sound you hear is your wallet chain slapping against your leg, your shoes scrapping
along the pavement and the Marauders playing in the distance as you head towards the neon sun hovering above
your favorite paradise. It’s not everyday that you come across a thinking man’s rockabilly band, one that spends as much time on the music as it does the lyrics. In a way, some of The Marauders’ sound pays tribute to the late 80’s California punk band TSOL. The distant, haunting guitar and the deep-seeded, lonely lyrics are what make this rockabilly band stand out. In Dead Of Night, you feel the emptiness of life, but in an upbeat song.
Lonely Road displays the doghouse wrecking style of Chris Lawson as a bye-bye baby dis to a love gone bad. The tempo picks right
back up with She Put A Curse On Me, a fun sing-along where the one you want to get away from reminds you that
you can never really ever get away. Tow The Line drives by as another punk-fueled thinker. “You know the
thoughts are blowing through the streets of a worn out town. There’s a rusted mill where that once stood
before the mills all got shut down.” This band exudes passion in every song as the realness of life unstoppably
forces its way through the speakers.Hammering in, Refuge is a Clash-ish rocker where drummer Abe Weber
mans the ship on this punked up song about seeking refuge wherever you shouldn’t be seeking refuge. The
title track, Midnight Rhythm begins with an acoustic crawl that ends in a mid-tempo rockabilly anthem.
Midnight Rhythm ends with a traditional billy ass-kicker called Satisfied. “I’m like a kid with a
quarter in a candy store. I done tried it once, now I gotta get more.” Satisfied is a tribute to rockabilly girl, and what a tribute it is.
Pick up your copy of Midnight Rhythm at Rock and Roll Purgatory.com or visit The Marauders.and pick a copy up
at their site.
Mark 8/15 |
| Review by Splendid Magazine |
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There are no trust fund babies in rockabilly, at least not since The Stray Cats made their MTV fortune.
It's a gritty, blue-collar genre best served with longnecks, lit by Pabst Blue Ribbon neon, and accompanied
by the roar of motorcycles out in the gravel parking lot. Elvis couldn't do it anymore after he married a
beauty queen and bought a big house. You have to be desperate and hungry to pull it off, and by all
indications, the Marauders, three young men from permanently depressed Altoona, Pennsylvania, are all that.
They stay close to rockabilly's down-on-its-luck but raucous roots on their second full-length, with tough,
hard-rocking, socially conscious songs. "Tow the Line", for instance, rides a herky jerky rim-shot rhythm,
punctuated with stand-up bass plucks and percolating with hiccupy vocals. Its twitchy cadence feels
lighthearted, yet the guitar chords are disturbingly dark and minor. The lyrics, too, are unsettling,
full of images of rusty mills and kids hanging out on the corner and fat cats counting their money.
"Dead of Night" flares with desperate energy in the down-sloping guitar lines and anxious lyrics about
"taking my chances on the street tonight" and "running wild in the dead of night." Even the lighter
boy-meets-wrong-girl track, "She Put a Curse on Me", has a dangerous edge buried in its countrified rave-up,
its frantic and dead-ended character blocked at every turn by frustrated love. "Hunger is the mother of bad
ideas," sings Dumm on the intense and stomping "Refuge" -- but as this lean and rocking album proves, she
has also fostered some really excellent songs. -- Jennifer Kelly |
| Review by Black Cat Rockbilly Europe |
| All 10 songs on this album are originals, written by the Marauders during 2004 and recorded at Data Music Services, Altoona, PA. Throughout the entire album, there's Chris Lawson's constant and hard thumping doghouse bass and Abe Weber's hard knocks on the skins to keep the rockabilly rhythm going. The band's very own sound is mainly due to the excellent singing and distorted guitar playing of Ben Dumm. The distortion on the lead guitar gives the music kind of a neo-rockabilly feel, but the band stays true to authentic rockabilly all the way. The enormous energy of the trio can't be contained, and I just couldn't suppress the urge to turn up the volume again and again till my speakers just couldn't keep up with it anymore. Songs like "Last Call", "Refuge" and "My Revolver" will keep on haunting your mind and soul for a long time after the music stops. This album provides the perfect chaser to a long day of sweat and toil. |
| Reviews from CDBaby.com |
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Real Good Modern Rockabilly Reviewer: Fred "Virgil" Turgis - Jumpin' from 6 to 6 The marauders are a neo/modern – rockabilly trio coming from Pennsylvania. To describe them I’d say they’re a cross between The Quakes in their Voice Of America period, as Ben Dum’s voice sometimes reminds me of Paul Roman, and some Setzer solo stuff like Ignition. But of course, they’re more than just imitation or followers. The ten songs of this record are all Marauders originals and they know how to write solid stuff in a wide range of mood. The opening song goes “straight in your face” with heavy slap bass, rocking guitar and lyrics like “gotta drink my cash”, how can you be wrong? “Dead Of Night” don’t give the time to rest as it plays on a similar tempo and you have to wait “Lonesome Road” and its country feel to take a breath but it soon followed by “She Put A Curse On Me” a song with fine lyrics you can’t help but sing along. “Tow The Line” is a swingin’ rockabilly tune with a punk feel on the chorus and could easily be found on a comp’ of the legendary Nervous Records label, if you see what I mean. Chris Lawson is a hell of a slap bass player, but, one good point that needs to be mentionned, he also knows when he don’t have to slap and don’t interfere with the drums. “Midnight Rhythm”, the title tracks, starts with just the voice and the acoustic guitar in a country mood and then come the drums and slap bass for another great rockabilly moment. A dark song like “Revolver” has a bit of Psychobilly in it, but don’t let the term confuses you. I mean what they now call “old school psychobilly” when it was just nervous rockabilly not heavy metal with a slap bass. The last song “Satisfied” is a classic rockabilly with a stop/start structure, and let you wanting more. And more will soon come as it seems that a new album is on its way with a song written for them by no less than Brian Setzer.
Old taste with new style
Music to kick some ass to
No gimmicks here…just the real deal.
BAD ASS...
RAW, BLUECOLLAR, REAL ROCKABILLY |
Alibi - 814 Records 2003
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| Review by Rock n Roll Purgatory | This is the premiere full-length by Pennsylvania’s hardest drinkin’, bad thought thinkin’, smoky bar stinkin’, boat sinkin’ and sly winkin’ rockabilly band. And if that description didn’t rouse your curiosity then you are about as interesting as a bowl of cold oatmeal. There is a bit of country in this and a lot of rock as well. What I really like is how on the title track “Alibi” you have this low down, dirty rock number and then out of the blue comes this magnificent slide guitar. Ben Dumm takes on the vocals with a heartfelt sincerity that tugs at your heartstrings one moment (“My Revolver”) and has you giggling the next (“She’s a Prostitute”). This is an overall supreme band that is going to make it’s mark is the music scene. Are you going to be able to say you had their first album way back when it first came out? Let’s hope so. -Lisa |
| Review from Interpunk.com | The first time I listened to this cd, I thought it was good but not something that would make someone a fan of rockabilly/punkabilly if they weren't all ready one. But after listening to it a few more times it was fantastic! I think the main band consists of electric guitar, acoustic guitar, upright bass , and drums, but there's the occasional slide guitar and sax. Since the demise of the Amazing Crowns I've been looking for something like this. The Marauders being from mountains of Pennsylvania, I think this is the first time I've considered myself lucky to be from Pittsburgh. -John from Pittsburgh, PA |
First Demo Ep - 814 Records 2002
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| Review by Rock n Roll Purgatory | The Marauders hail from Pennsylvania and play a great 50’s inspired rock-n-roll with some country thrown in as a chaser. They also have a good sense of humor with songs about eating roadkill rabbit (a subject that reminds of my friend Gabe) and about the impact of discovering that you are dating a prostitute. Track #2 starts off with the dirty country of “Sapphire” then segues into “Oh My My,” which presses the gas pedal and takes off with a spin on “Hot Rod Lincoln.” They have an upright bass keeping that back-road rhythm, and the guitarwork is clean and skilled. On songs like the upbeat greasy rocker “New Tattoo”, the laid-back country beaters “Sweet Misery”, and “Last Laugh” there is even some cool slide work. These 6 tracks were recorded and mixed in a matter of hours, but to me it still sounds great. I expect wonderful things from this band. - BL |